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Campanas

by John Isaac Watters

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davekillcountysmith
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davekillcountysmith Subdued start. JIW’s vocals showing a fragility. That soon gives way to him doing what he does best... going for it. I really miss my Ragman. Favorite track: Ragman.
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    comes in a white paper origami case with silver ink lithograph print.
    lyrics handwritten on the inside of the case, lithograph print in silver ink.

    Image on front is the text "Campanas" written by hanging small bells from a chain-link fence along Ballona creek in Los Angeles.

    Image on the back is a detail shot of a wall from the Tlálpan Convent by Luis Barragán

    Includes unlimited streaming of Campanas via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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1.
then the kitchen floor became your favorite bed a place to lay where the light hadn’t fled yet and fluorescent beat down on this sick side of town and the cannibal came easy you weren’t really eating anyone else you just decided to let them eat yourself and juggle what you could get for free and my heart, it broke steadily a pond, hearing far away from view in a corner, pressed up against a tree and underneath your blouse i heard a chorus screaming out are you nervous now are you nervous? are you bowing in cathedrals made of stone? do you only hear a train wreck when listening alone? me, i hear a choir singing sinner welcome home, in a lonely discoteque on the outskirts of raton. has your mother tried to tell you child be careful where you go, don’t go into dark corners, you may not come home and be careful what you look like or they’ll surely pick you out, are you nervous now are you nervous? are you bowing in cathedrals made of stone? do you only hear a train wreck when listening alone? me, i hear a choir singing sinner welcome home, in a lonely discoteque on the outskirts of raton. are you nervous? are you bowing in cathedrals made of stone? do you only hear a train wreck when listening alone? me, i hear a choir singing sinner welcome home, in a lonely discoteque on the outskirts of raton.
2.
she is in a stained­glass window i am in a cathode ray all we need is twenty more inches all we need is one more frame to lift us high like billboards rising smoke swirling up, daylight expiring there is a circus in my chest though i cannot whisper it, it could heal i guess and I’ve not got time for these feelings my thoughts are somewhere up north beneath these heels and hats then a long parade going forward with nothing but a telephone a television to tells us all what weve been missing ive been waiting for your call ive been waiting for it all to lift us high like billboards rising smoke swirling up, daylight expiring there is a circus in my chest though i cannot whisper it, it could heal i guess outside the bar in wintertime cigarette ashes in hands held high believing in the lonely engaging vision believing in the only remaining expedition to lift us high like billboards rising smoke swirling up, daylight expiring there is a circus in my chest though i cannot whisper it, it could heal i guess
3.
Ragman 04:01
i’m sorry you dont know my name i’m sorry that you are afraid i’m sorry you’ve been paralyzed inside i’m sorry you can’t feel a thing i heard that you were walking home and then you turned around and ran worried that your very own they would not take you back again and i have been where you have been i have peered over the edge of bridges and of tenements i sleep alone beneath the hedge and i have bled where you have bled bright red and bursting from my chest i bleed alone in central park i bleed alone in budapest i am the ragman i am the ragman you thought that you were damned you thought that you were damned and i have been where you will be in death in dumpsters my right arm i have given my right mind so that yours could be kept warm and i have been where you will be my rags cannot be torn apart I bear your pain and agony I die alone and in the dark i am the ragman i am the ragman you thought that you were damned you thought that you were damned
4.
She took my hands in hers though they were caked in dust she washed them with her tears and cried what will be come of us? lonesome when we stumbled hand in hand down to the sea in lonesome death she mumbled I would die should you leave me! Stand tall i said, and left her, and I raised the bottle high, traced her red lips with my fingertips and then go lay down and die, lay down and die. But the death I died was easy and the tellin easier yetor I died to all else but her, yes I died to all regret, like a flower finding water in a spring beneath its stem or a mountain realizing a volcano lies within we exploded ‘cross the desert, we exploded ‘cross the sea oh how we were still expanding into distant galaxies yes, galaxies but her boots were built of iron her ankles made of clay her heart though gold soon grew to cold a place for me to lay and her eyes though brightly shining were only diamonds laid in lace she shattered like all statues do beneath progress and pace she was torn from the city at the center of my heart and they took her head and placed it in a cold museum of art museum of art so do not worship gods of iron mortar rounds or hand grenades find the prisoners and untie them dig the dead up from their grave we be marching resurrection toward a city without stain we’ve begun the insurrection no more hiding out in caves stand tall i say in laughter and i raise the bottle high trace your red lips with my fingertips and then go lay down and die. lay down and die. so do not worship gods of iron mortar rounds or hand grenades find the prisoners and untie them dig the dead up from the grave we be marching resurrection toward a city without stain we’ve begun the insurrection no more hiding out in caves stand tall i say and loved her and i raised the bottle high traced her red lips with my fingertips and then go lay down and die. lay down and die.
5.
Cathedral 03:21
6.
you play piano like a manatee youre voice my love is a dead man’s breeze through the loneliest cold hard dead pine tree you’re fingers they scrape across the keys and your laughing call brings me to my knees your laughing call brings me to my knees well the ships don’t sail in them kinda winds ya better come home ya better come in you’ll be lost forever just wanderin well ships don’t sail in them kinda winds well hey hey! ey! ey! lets leave the pale blue glow of the hotel television and park your station wagon down in those gravel ditches yes i shot that man in his brand new bridges i shot that man, i wanted his riches well you’ve got such a straw heart and a blunt edged mind to wake me up in the night and tell me lies why don’t you take a walk to the river in the pale moonlight tie a stone to your ankle, and let yourself die die die die! ai! ai! ai! ai!well we could be train robbers and live our lives in sunsets keep your rocket launchers trained on their private jets and we’ll bring em down like a band of pirates turn the world around, we’re all communist well i just saw a wanted sign they're trying to paint your picture in black and white stripes tryin to make you a lesson for the little guy youll end up in prison if you live a wild life ships dont sail in them kinda winds you better come home you better come in youll be lost forever just wanderin well ships dont sail in them kinda winds well hey hey! ey! ey!
7.
the one i have always loved, the one i have barely known climbs into the clouds above, fades into the hills alone and as the valley folds out and up and shimmers the rim of her glass the one i have always known she always folds up last so green and incomplete such beauty could never be sure if its nothing you could repeat if its nothing you’ve seen before and as the hills start piling up and filling out my past the one I have always loved, she always climbs up last i have opened up my tower i have tuned my bell for her i will ring it every hour as the hills and i endure and as i bend in toward the blood and pile up the trash the one i have always loved, she always climbs up last in the white dust of the hills, i have lonely taken up walking in the grass barefoot and still i can hear her sweet voice talking as i bend in toward the blood and pile up the trash the one i have always loved, she always climbs up last i have opened up my tower i have tuned my bell for her i will ring it every hour as the hills and i endure and as i bend in toward the blood and pile up the trash the one i have always loved, she always climbs up last
8.
Just A Tomb 03:04
i picked a white hair, from your head a letter from your older self, as the sun was coming in like a cripple on a mat all day long we fought death back the two of us so brave we could have been blindfolded and wandered round and wandered round and wandered round and wandered round a graveyard full of empty graves and not been afraid of fallin’ down how can i not be afraid of fallin’ in? well isn’t that just what a city is? streets intertwine, barbed­wire prisons, buildings downtown, nobody in them wohoho isn’t it all just a tomb? wohoho isn’t it all just a tomb? so i’ll see ya there, in light inexpressible tell those ya see around ya, soon all is ending the naked mannequins behind barred bar windows those clicking turnstiles, they are not pretending no, no they are not pretending, no no, they are not pretend how can i not be afraid of fallin’ in? well isn’t that just what a city is? streets intertwined, barbed wire prisons, buildings downtown, nobody in them isn’t it all just a tomb? isn’t it all just a tomb?ill be to the poor, a beggar in need, to the rich ill be angry and cruel i will sneak in their doors, and tear down tapestries, for the bums i have died for need fuel.
9.
i got a brother whose name is hungry he lives up there in the cold north country picking honey from the honey bees picking honey from the honey bees i got a sister whose name is crazy she wanders the mountains picking daisies seems theres more than words can say seems theres more than words can say my family is gone moved to the woods and i guess i should do the same theres nothing left here but a world of shame and my heart is there, in the trees, every holiday, i spend it in the leaves and my mama says, you are mine but you’re stuck in the machinery of a cold city and she’s right i guess, i mean its lonely here in bed, with no one to hold me and hardly doin’ what its common to and she’s right i guess i mean its tiresome living a lie that id desire for nobody, least of all, for you
10.
I'm Your Man 04:22
I can be a dark rain cloud and hover over your head, or a brightly shining wedding gown and haunt your nights in bed slip me in your suitcase, handcuffed tightly to your wrist you’re gonna need me when you leave this placeto help ya handle this cause you’re heart has no compass and you’re friends they’re all broke spent all your compassion to buy me for a joke set the bottle on the floor let the gun from your hand leave em lay in the graveyard leave em drift in the sand im your man im your man then the candle flame sputters in your spray painted hands and you quote your mother and mutter well life, its just no marching band but when they see us come in they will fall to the deck and they’ll always be running long as you got me hanging round your neck let me be your compass let me be your cross let me be compassion let me be lost set the bottle on the floor let the gun from your hand leave em lay in the graveyard leave em drift in the sand im your man im your man

credits

released November 16, 2013

All songs written by John Isaac Watters
Produced, Recorded and Mixed by Raymond Richards at
Red Rockets Glare Studio in Rancho Park CA.
Engineered by Mike Post

Instrumentation:
John Isaac Watters: Acoustic Guitar, Electric Guitar, Organaire, Vocals
Raymond Richards: Upright & ElectricBass, Electric Guitar, Dobro, Pedal Steel Guitar
William Gramling: Piano, Clavinet, Organ, Pump Organ, Background Vocals
David Raven: Drums, Gamelan
Alex Rhodes: Vocals, Background Vocals
Dave Wilson: Clarinet
Zac Sokolow: Banjo
Mike Bolger: Trumpet, Sousaphone
Ulf Bjorlin: Trombone

Cover art by John P. Goldsmith
Packaging design and layout by Mariana Blanco

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John Isaac Watters Los Angeles, California

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